Sedudo Traditional Bathing Ceremony

Nganjuk Map, East Java - Indonesia

Sedudo Waterfall is situated about 27 kilometers south of Nganjuk, located at the foot of Mount. Wilis, at Ngliman, Sawahan district. This location is often visited by many of people especially during Suro, one of the months in the Javanese year.

This ritual bathing ceremony dates back to the time of the Majapahit Kingdom in the 14th and 15th centuries. According to the juru kunci (key keeper) of the Sedudo waterfall, based on the legend story, Ki Ageng Ngaliman - who spread Islam in Nganjuk - was used to meditate in the area. To regard his retribution, the district government and the public around, always held a traditional ceremony every Suro (Muharam). Also according to popular belief, Sedudo Waterfall was used to bath statue in Parna Prahista ceremony then the water spattered to the body of the family in order to grant eternal youth and safety.

The form of The traditional ceremony of taking up Sedudo sacral water is begin with 5 (five) sacred women bringing klenting, traditional water jars, dressed in Java traditional clothes, walk slowly to the pool under Sedudo waterfall. The 5 sacred women is following by 10 women with longhair. The 15 women are called Putri Tirtosasi (Tirtosari Princess). Five boys, called Jejaka Taruna, also dressed in Java traditional clothes are waiting for them under the waterfall. The procession is accompanied with Jidor, traditional drum and Sekar Mijil song. After the Tertosari Princesses gave klenting to them, they will take the water from the waterfall which is believed have savour. Then the water will dedicate as sacrifice.

This procession is led by the Regent of Nganjuk and followed by the local and the visitors who come from the whole Java. The form this procession is taking a bath together in the pool under Sedudo waterfall.

For information, contact:
East Java Provincial Tourist Office at +62 31 853 1814/853 1815.

EAST JAVA CULTURAL ART

East Java (Indonesian: Jawa Timur) is a province of Indonesia. It is located on the eastern part of the island of Java and also includes neighboring Madura and Bawean islands. The administrative center of the province is located in Surabaya, the second largest city in Indonesia and a major industrial center and port.

East Java also hosts a significant population of other ethnic groups, such as Chinese, Indians, and Arabs. In addition to the national language, Indonesian, they also speak Javanese. The major religion in East Java is Islam. This comes from earlier history, when Islam spread from northern cities in Java where many traders from Gujarat, India visited, bringing Islam. The eastern part of East Java, from Surabaya to Pasuruan, then following various cities along the coast line, and turning back in Banyuwangi to Jember, is well known as the "horseshoe area" in context with earlier Muslim communities living there.

East Java's history dates back to the famous ancient kingdoms of Kediri and Singhasari, which is now a city near Malang. The Majapahit dynasty centered at Trowulan, Mojokerto East Java and around East Java, began the foundations of an empire that was to dominate the entire Indonesian archipelago, the Malay Peninsula and part of the Philippines for hundreds of years. This was the beginning of profitable trade relations with China, Cambodia, Siam, Burma and Vietnam. As power in Central Java declined in the 10th century, powerful kingdoms rose in East Java to fill the power vacuum. During the reign of King Erlangga both East Java and Bali enjoyed lucrative trade with the surrounding islands, and an artistic and intellectual renaissance. Parts of the Mahabarata epic were translated and re-interpreted to conform to an East Javanese philosophy and view of life, and it was from this era that East Java inherited much of its temple art. The Eastern Java region was the part of the Mataram kingdom during its peak.

East Java offers many insights into Indonesia's rich cultures and crafts as diverse as the people themselves. East Java is a true melting pot of the country for many ethnic groups. It is understandable that it is cause of its vast area and different kinds of condition between one place and another. The characteristics of its cultural art is also different. Various kinds of the existing culture have their own particular characteristics and certain functions either those in the territory of East Java or in other territories outside East Java.

Reog Ponorogo

The dance known as Reog is a very spectacular dance with several dancers wearing bright colorful costumes accompanied by merry gamelan music.

In Madura, race bull is a very popular sport and spectacle

The island of Madura, famous for its bull races (karapan sapi), is also part of the province and has its own traditions, culture and language.

Mask dance (Tari topeng) performance

Malang is famous for its dances. Mask dance (tari topeng) has been known by Malang society and this dance is tradition which cannot be left off hand.

"Kuda Lumping" dance

Horse trance dancing, or "kuda lumping" in Indonesian, is currently the most popular style of folk art being performed regularly in East Java.

HISTORICAL CEMETERY IN GRESIK

CEMETERY IN GRESIK

There are some cemeteries which are of historical values in Gresik. Namely the cemetery of Fatimah binti Maimun or the cemetery of Princess Suwari or Princess Cempa (1082 A.D.). The cemetery of Fatimah binti Maimun is considered as the oldest one in Indonesia.

The cemetery of Fatimah binti Maimun

The cemetery of Maulana Malik Ibrahim, died in 1419 was the first and the oldest Islamic religious leader (known as wali) who introduced Islam in Java. The building has lots of changed and renovated. Its tombstone is not original anymore, neither is its gate. The roof of its cover has collapsed. Only its four walls are still in good condition though they are cracked. This wall is decorated with horizontal frames, something that is only found here and gives an impression that in the 11th century people were still completely found with temples and therefore the Islamic graves are shaped like temples.

The cemetery of Maulana Malik Ibrahim

Since the roof of the cover is missing, the original shape is therefore not known, either in stages and pointed like those of the temples or not. The unique architecture that is very typical, compared with other graves. Although the gravestone is from Arab mainland with Arabic-style scriptures on it, the style looks like many gravestones in Gujarat.
Lots of people come to visit that cemetery everyday. The cemetery is considered as sacred place. Many people who visit his grave expect for blessing, safety, long life, fortune, etc.

The cemetery of Sunan Giri is located in the Desa of Giri, Sub-District of Kebomas, Gresik District, in southern side of the District, 2 km's far from the city of Gresik. The cemetery is on the top of the Giri hill, rounded by Giri people's graves.

Sunan Giri was one of the nine famous Islamic Leaders (wali songo) who also propagated the Islam in Java. He died in the year of 1428 of Saka Year or 1506 AD.

Entrance to the tomb of Sunan Giri - Sunan Giri, gravestones in the tomb complex.

The attractiveness of this object are the wooden-made grave from teak tree, plant-covered wall, and the makara (curvilinear motif like the tail of a shrimp, e.g. as found on ancient temple gargoyles) on its door.

Grave cover construction of Sunan Giri in Gresik.
Front part, roof covered with tiles and wood (XV Century)

There are some other attractiveness which illustrate the archeology of the first period of Islam in Java e.g. dragon king-carved-stone at the entrance arc, to mention one. The attractiveness for tourists of this object is the carved roof that illustrates the wealthy of the period from trade activities.

The Mausoleum site of Sunan Prapen is located on the west-side of mausoleum of Sunan Giri. In the site, Kawis Guwo and Panembahan Agung, two other Islamic leaders (but not wali), are also buried.

The cemetery of Sunan Prapen

MASK OF MALANG

Some collection of Malang masks for Mask Dance performance

Mask (topeng) as a product of fine arts is not only used as decoration, but also as the equipment of dance and theatre in some performances. In Malang, to be exact in the Kedung Monggo village, Pakisaji sub-distric and in the Jabung village, Tumpang sub-distric, lots of Topeng are made to use for the performance of an opera or “wayang topeng”.

The mask of Malang (topeng Malang) has special characteristics, such as their thick wood of randu wood (capok tree) or “cangkring”, which is rather dark in colour, with a carving on the forehead which is specially bulging, fashioned with a square chin and high cheek- bones. Some mask needs some ritual to make the carving mask has a magic power.

Decoratively, Malang masks are unique. They are different from any other mask art found in Java. There are five typical colurs used to deco rate the masks. The red colour symbolizes courage, the black colour symbolizes determined ambitions, the yellow colour symbolizes wisdom, the white colour indicates purified character and the green colour indicates peace.

The form of its throne and the expression of the mask especially the construction of “gelung” and “janang” and the eyes are not far different with the thrones of wayang on the relief of Jajagu temple. This is not surprising since the Jabung is located near Jajagu temple.

MALANG MASK DANCE

Malang Mask Dance (Wayang Topeng Malangan)

Malang is famous for its dances. The topeng performance has a strong dramatic value, its performance pattern is good, while the garment music have special characteristics. The carving mask usually made to be used in an opera or "wayang topeng". What is interesting about the mask dance is that all the dancers representing some characters wear masks.

Klono is the evil archrival of Gunungsari and Panji Mask Dance Drama

The characters in Malang theatrical mask dance are 64 and they play the roles of 64 figures in Panji tales. As in wayang kulit, the story is narrated and sung by a dhalang, who recreates the stories passed orally to him from generation to generation. The dancers do not speak themselves with the one exception of the clown, Patrajaya, who wears a half-mask allowing him to speak. While the other dancers move with grace and style, Patrajaya plays the fool: knock kneed, buck teeth, an old cloth tied loosely around his head, he provides the comic relief. New stories are improvised from time to time and old ones built upon to create something new.

* Find out how the traditional mask dance of Malang is staged at the Padepokan Seni Mangun Dharma in Tulusbesar village, Tumpang Sub district, Malang.
Location: Tumpang Sub Distric , Malang